Wednesday, November 30, 2011

treaters!






thanksgiving is my favorite holiday of the year.

hands-down.

i spend it in nebraska every year with my entire dad’s family.

that’s right… brunswick, nebraska… population 110.  googlemap it (my favorite thing to do), and you’ll find a tiny grid of 3 or 4 streets, with the post office and elementary school highlighted.  zoom out, keep zooming out, yes…. keep zooming out, and eventually something else will come on the map, i promise.

my dad’s family has been going to brunswick for thanksgiving every single year since my dad was born.  i’ve never spent thanksgiving anywhere else.  in fact, with two exceptions (aly, your famous thanksgiving potluck once… and just this past saturday with steve and ruth) i have never even eaten thanksgiving food anywhere else except nebraska.  it feels almost sacrilegious, i must say.

why brunswick?  the full story is too long to describe, but essentially my grandmother grew up there during the great depression, living off almost nothing, raising a few pigs, and eating radish & butter sandwiches (to this day, she still loves them).  with ridiculous determination, and a miracle or two, she eventually ended up in chicago and met my grandfather.  later on, he decided to build a log cabin back in brunswick, to preserve and to commemorate the place that had represented so much hardship, and yet so many good memories, for my grandmother’s family.  and so it was built.  and the first of many legendary thanksgivings were celebrated within its splintered walls. 


my grandfather has passed away now, and my grandma lives most of the year outside chicago.  but she still goes out to brunswick every fall around thanksgiving, and again in the spring – where she can separate from the chaos of the rest of the word, visit with cousins and siblings who are still within a few hours’ drive, and wake up to the prairie she has always loved so much.







and for the week around thanksgiving, the population in brunswick doubles, or maybe triples, as my family descends upon its empty and manure-scented streets.  there’s still the blue shag-carpeted and crooked remains of the house my great-grandmother josephine weaver (aka great granny with the wheels.. she had MS, and thus both legs were amputated) lived in, which we call the hotel jose.  and my grandma recently bought the empty school house, installing a shower in it, so it can be used as a bunkhouse for overflow. 

in general, it is just a massive love-fest.  as i pull in the driveway every year, before i can get the car in park, the cabin door flies open and out everyone pours, hooting and hollering, waving arms wildly.  the receiving line lasts forever, at least it seems so.  it’s one of the best feelings i experience all year long.  that, and walking into the glow of the cabin to see the familiar old quilts, buffalo bill drawings, decks of cards everywhere, and heavy wooden beams strung with cast iron skillets that were brought across the country in covered wagons. 





we shack up wherever we find room.  i’m usually on the pullout couch, which is my favorite, second only to the sheepskin rug in front of the fireplace.  the hunters always sleep elsewhere, either in the hotel jose, or in the schoolhouse, and are up at dawn to walk the fields.  back in the cabin, the kitchen smells of fresh coffee and maple syrup, and a massive breakfast is being assembled with pancakes, coffee cakes, fresh squeezed orange juice, fried local eggs, and a platter of bacon and sausage as heavy as a small child.   eventually someone spots an old maroon woody station wagon rounding the corner of the driveway, and shouts “the hunters are home!!!”  the doors pour open once more, and everyone trades hugs with the smelly suspendered men as we assemble for a massive group photo with the pheasants and quail. 





in brunswick, four main activities prevail:

1)     hunting pheasant.  this is generally a male-only activity.  women are technically allowed to “hunt”, but by hunt, i mean walk along with the men and help flush out the birds.  the last time i did this, i was referred to as a “walking chick”, and was also instructed to carry a thermos of hot cocoa and some dixie cups.  but don’t get me wrong.  most of the time, we’d rather be hanging in the cabin anyway.  there’s something amazingly refreshing and comforting about slipping into a traditional female role for a few days, and i think we’d all secretly agree, we love it.  and while the men love hunting to fulfill the very primitive instinct of putting food on the table… they, too, are mostly in it for the intangibles – the experience of walking the prairie at sunrise, of communicating so intimately and magically with the dogs, and of being with each other.






2)     cooking.  this is generally a female-only activity.  actually, i think it is always a female-only activity.  the only time i’ve seen men set foot in the kitchen is to do the dishes, or to steal pickles from the fridge (i see you, kyle)

3)     eating and drinking.  in no moderation.  which has absolutely everything to do with the utter success of activity #2.






4)     playing cards.  a game called pitch to be exact.  at basically any hour of any day (except for between the hours of 1am and 5am, when the superior game of MITCH is played by a select and destined few) you can find a pitch game going on in the cabin.  wednesday night before thanksgiving, we used to have an annual rollerskating party.  since the nearest “rink” is now an hour away, we instead have a massive pitch and pizza tournament… complete with a full bracket, a trophy engraved with the winners and runners up**, and a pre-tourny singing of the national anthem as we all stand and face the wooden-framed photos of our ancestors above the fireplace.  yup, not kidding.

{** except for when heavy drinking on the part of all participants has led to a lack of recording and remembering who the actual champions were.}  


thanksgiving day itself is always ten times more chaotic, with an influx of even more relatives.  the traditions are too numerous to list, but always involve a counterfull of the best pies ive ever…. ever… eaten, and a thanksgiving play in the evening.  we used to all participate in the play, but these days it is pretty much single-handedly acted, sung, directed, and produced by my genius... and soon-to-be-famous... cousin, bret.

and every evening, as the hours seep from night into morning, the most secret, and epic of thanksgiving traditions ensues.  my cousins kyle, ardie, sister betsy and i huddle around a dimly lit card table, drinking whiskey out of tea cups and gravy saucers, and hand after hand of mitch is played out, while the mortals look on.  what follows is too sacred to list here, but minute-by-minute records are kept in the mible (mitch bible), which itself is stored in a secret location within the cabin^^.

{^^ but if evan reed had fulfilled her mitch pledge class duties during thanksgiving 2010, the mible would instead be stored in a vault, buried deep in the nebraskan earth.}



we come from all across the country to meet up in brunswick, and we will be doing so as long as we all live.  there is no place, and no people, in the world that better remind me how truly thankful i am.  and more than anything, the holiday is about my grandmother... mary lee… granny… treater.  she is the true matriarch in our family.  never have i seen someone command more respect and admiration than she does, but somehow with her cherished smile, her giant cushiony hugs and her bright pink fingernail polish, she also generates more love than anyone should be lucky enough to feel. 

i’m pretty sure she invented the word treater.  either way, it epitomizes her approach to living, which is a contagious combination of appreciating the very simplest of things and constantly giving to others. 

when she holds your hand (which she does most times she’s talking with you), the world melts away… when she picks up a crossword puzzle, it’s completed before you can even read the first clue… when she tells stories in a room full of raucous people, you can hear a pin drop… when she sets foot in the kitchen, i’m pretty sure miracles happen… and when she makes the thanksgiving toast every year, we all cry.




 (thank you, sister gladys, for loaning me your camera while we were there, and for sending me your pictures too!!)

this year, i gave her a hardbound copy of my thesis dissertation.  it was dedicated to her (as well as to my sister betsy).  it was my dad’s idea to bring it out to nebraska, and i had almost forgotten about it.  thinking it was maybe a silly gesture, but agreeing anyway, i gave it to her, wrapped in a bow, the day before thanksgiving.  reading through the dedication, she burst into tears.  my grandma is a beautifully emotional person, and i have seen her cry many times, but never have i seen her lose composure that way.  she kept showing it to my relatives, and each time she’d open to the page and pass it to them, she’d choke up before she could speak, and pour her head in her hands.  it was making us tear up just to watch her.  that night as my aunt helped her into bed, she came back out, looking for it so she could bring it in with her as she slept.

in all seriousness (i’ve explained this to a few people now)… i’d have done the entire five years of grad school for that reaction alone.  it meant a thousand times more to me than any degree ever could. 

really was one of the best moments in my life.

 

Monday, November 21, 2011

my climbing obsession now also turns metaphorical





well… i officially had my first fainting experience in the studio with steve!

thank god i finally got that over with.   those of you who know me well, know i pass out at the sight…. even at the thought… of blood.

yes, it’s pathetic. 

yes, i am an embarrassment to my family and loved ones, and to doctors everywhere.

yes, i even understand it’s all mental.

but no, i cannot change.

i was sure this was bound to happen eventually, and knowing steve, i knew i’d get no sympathy… so i was dreading the inevitable moment when one of us would get hurt, i’d immediately pass out, and he’d be utterly disgusted with me.

tuesday morning i was working on fabricating a short steel pyramid to cap our new piece.  steve was working in the back of the studio, and we were mid-conversation (i can’t remember for the life of me what he was talking about, but i was listening).  i strolled over to the pile of sheet metal, grabbed two sharp-cut 4 x 1 ft pieces, and held them up in front of me just below eye level, staring down along them, trying to gauge their relative thicknesses (they ended up both being 1/8”).  somehow, one slipped through my work glove, and guillotined straight down on my left foot, mostly on my big toe.  i let out a loud shriek, and the first two thoughts immediately in my head were:
1)     did i just chop off my toe??
2)     i think i just chopped off my toe.

then i panicked that steve would panic.  but amidst all the noise he was making, i could tell he somehow hadn’t noticed.  as i waited for that initial delirium of pain to stop, so i could actually think what to do, my next two thoughts were:
1)     this initial delirium of pain will stop, right?
2)     did i just chop off my toe?

finally, i cut steve off (he was still talking), calmly saying, “i think i just really hurt my toe…”  he walked over as i nervously unlaced my shoe (thank the lord i wasn’t wearing flip-flops, as we’d been doing clear through october), and pulled off my sock…. to see… my toe!  attached!  and a gurgle of blood starting to seep out the top right behind my nail.  i didn’t want to make a big deal in front of steve, so i decided to get it out of sight ASAP.  i put my sock right back on as it bled, laced up my shoe, looked up at steve, and we both laughed.  “i’m an idiot,”  i said.


from that moment on i don’t remember any more of the conversation, as i followed him, half-limping (my foot was still numb and not hurting yet) into the machine shop and back.  just then ruth came out to say goodbye (she was heading into town), and steve made a joke about her bringing back crutches for me.  i think i half-laughed, as i started to feel pins and needles and hot flashes in my head at the same time.  i knew what was coming, and pulled over a stool to sit down.  steve and ruth didn’t notice.  pleeeeease don’t faint.  pleeease.  i tried deep breaths.  my vision was going spotty.   finally ruth left, and i said, “yeah, i’m really not feeling so good,” and steve looked at me, ”jesus!  you’re white.  lie down on the ground.”  i was half stubborn and tried to maintain calm on the chair… until steve insisted “no i’m not kidding, get your head down on the ground level, you really have no color in your face.”  so i laid on my back in the middle of the studio, instructed steve to go work, and tried to maintain consciousness (i think i did) for the next 15 minutes.  i tried getting up once, went white again and almost lost my feet, and laid back down.  steve was chuckling to himself and trying not to comment.  “well, you were really calm about it, i would have been cursing up a storm!!”  i could tell he was just trying to make me feel better.

anyway…. needless to say, i finished fabricating the steel piece (it took me all day tuesday), and by wednesday night, and again thursday morning, we decided it didn’t work as well in steel, and i remade the whole thing in stainless.  but we’ve saved the (deadly) steel version, and already have a potential plan for a new piece to use it in.



just another example of how this process is always a constantly changing course.  with this piece specifically, we have maintained a really cool combination of strategizing and letting go, giving control over to the materials.   in fact, steve thinks it might just be a piece where we’ve achieved a pretty near perfect balance of CAT (concept, art, technique).  this has been able to happen, in part, because the piece will be a donation – there are no requirements, no hopes to fill, only room to evolve.  we’re going to donate it to an awesome environmental non-profit called the wildlands conservancy, which steve is a huge supporter of.  it will be auctioned off during a large-scale art event at their whitewater canyon preserve in march. 

we want it to sell, of course, to be appealing to a large audience.  so we didn’t just play around until something cool came out (which easily could have worked), but instead decided on a few hallmark components that we really wanted to include. 

one was the notion of “stainless steel driftwood”, composite pieces constructed of processed scraps that interlock and flow into each other (you saw this with the raven and rising sun kinetic).  i have become quite enamored with this.  there are a lot of directions to take it (and we have some newer ones already on the front burner!), but i freaking LOVE the concept of taking scraps, re-processing them, then using them like paint on a canvas, in structured and non-structured ways to create lines, movement, natural repetitions and rhythyms.


another component we wanted to include in the piece, which steve refers to as an “endless screen” (ES), is something he has played around with a lot before.  essentially it looks like a chain-link cage made out of steel rods that are welded together.  for this piece, we liked the concept of having the ES wrap around some precariously-balanced stones, on which sat the stainless driftwood bird form.  we used three rectangular pavers, and covered them in weathered copper (we spent a few days alone just strategizing the wrapping).  the ES, in this case, serves a visual/artistic role (makes the viewer curious as to how the stones got inside the cage, and how the stones, balanced as they are, can support any weight), as well as a technical purpose (the welded steel screen forms the strength of the entire piece), and most fun... a conceptual role (the screen grows from the base of the piece and as it climbs and wraps upwards, turns into human forms, climbers actually, weaving and wrapping their arms and legs around).  

creating the steel structure has involved a lot of wire welding (MIG welding).  this is far less enjoyable than TIG welding, (mostly because it’s messy, and i’m a scientist), but fascinating in its own way.  and steve and i got to work together on the design of the screen, which was a ton of fun.  we knew we wanted to make human forms, and we knew we wanted the screen to transition slowly and subtly into human forms, but chosing the right design and materials took us a few days of experimenting.  i spent a few hours making bits of steel rod into different thicknesses, lengths, and with various kinks to create our material pool.  and then came the fun part.  steve and i sat on the table, literally like kids with a toy set, and assembled these climbers into various positions, as we held heads and arms and arm-bodies for each other, passing the MIG welder back and forth between us.  we were oooo-ing and aaaah-ing and laughing at the michelen-man-like fat arms or fat-shins that would suddenly emerge depending on choice of segment.


and looking at it more and more, we have both gotten such a kick out of the expression in the movement of the climbers as they wrap and fling themselves upwards on the piece.  we are both most excited about how different people will react to it, and any dialogue that wil be created in the variety of interpretations.  so far it’s just been he and ruth and i chatting about it.  but we are going to put the piece up in JTAG (joshua tree art gallery) asap to see how people are responding.  we have some sort of vision for what the piece represents, but i almost hesitate to share it.  in one way, the climbers represent humanity, emerging from “the mud and the muck” (as steve loves to say), and climbing up, maybe in desperation, maybe in blinding competitiveness, maybe at times in a beautiful web, through eras of time, ever grasping after nature, creation, perfection.  and nature?  it’s saying, “i’m getting the heck outta here”….


or maybe not.  any other thoughts??

 ..........

and after a week of letting the artwork fuel my climbing itch, i got to snag two days in a row this weekend out on the rocks!  major winner!!  saturday i went out with john (yes, famous HAMBAM john) and my friend matt, and we did some classic crack routes in the park.  by classic crack routes, i mean that there was an equal number of curse words emitted from my mouth as there were scrapes on the back of my hands, wrists and knuckles.

sunday ended up being perhaps my favorite day of climbing yet.  i got a call from todd last minute, and pulled myself out of bed after 4 hours of sleep (and the most wild night at pappys – we had raging crowds with blitzen trapper playing, AND i got to wait on both helen mirren and the entire queens of the stone age band).  i met todd early and we went out with a few of his good friends, hitting an area in the north part of the park, where we saw no one else the whole time.  it was about a 2.5 mile approach in, and we got to do a bunch of new routes, finishing off with a two-pitch route where we had 360 degree views all across the park and back to 29 palms.  best high ever.





(some of the climbing photos courtesy of todd)

and in other exciting news on the homefront, we’ve had such a beautiful week that the snakes came back out!

all the talk of rattlesnakes out here, and i have yet to see one (although when i first got here, we were seeing tracks every morning in the canyon sand along our morning walk).  a few days ago we saw a big 4 foot long red racer snake, slowly gliding across the sandy driveway, basking in the unseasonal november sun.  unfortunately, they are not poisonous, and thus the excitement factor dropped rapidly… but it is pretty damn incredible to watch one of those animals move.  he was out multiple days in a row, leaving trails that were somewhat intimidating to us, but were pushing his luck with the predators, and eventually one of the cats (stripey) got a good bite of his tail.   we helped him escape, and haven’t seen him since.




been falling asleep to the hint of woodsmoke in my cabin all week and savoring every….. every, bit of time.  the things i’m thankful for defy articulation, but i thought i’d send you all off with a couple more photos.  steve and ruth have two good friends (harlan & fraulke) who recently had us over to their house for dinner.  they live outside LA, but have a little haven of a spot up here, which they are fixing up & decorating (including 2 of steve's kinetics).  one of the major things i’ve loved about being here is seeing different people’s houses, and they ways they’ve integrated their ideals, their visions, into the design.  in the high-desert, as far as homes go, the most valuable thing you can have is a lot of rocks.  rock piles.  the more, the better.  the national park itself some may consider to be merely a sh*tload of rock piles.  but… when you are physically amidst them, it really sinks in.  the enchanted wonderland quality of the formations, their simplicity, and the way they catch the light, is something truly magical.










 hope you all have a wonderful and love-filled holiday…