Monday, January 2, 2012

salt flats, cowboy boots, and moonlit desert revelry




pick a number between 74 and 77.

oh yes.  you are correct.  that is the number of degrees…. in fahrenheit… that the high-desert presented to me when i returned here last tuesday after a week of holiday celebrations back on the east coast.

it is also the number of degrees it has stayed since… all the way into a cloudless 2012…

it is absurd!!  and amazing!!

but i must say, it certainly takes some getting used to seeing christmas lights alongside rich pink skies.  and it was still hard for me to believe i’d be ringing in the new year without a bitter cold ski mountain or frost-slickened sidewalk to parade on.

and so, faced with the holiday weekend ahead of me, there was very little question at all as to how i would spend it:  sleep hardly at all, spend as many daylight hours as possible in the park and climbing, and spend the starry nights in pioneertown at pappy’s. 

steve & ruth had been wanting to come out to the park some day we were climbing, to watch, and see what all the fuss was about.  i, of course, had been eager to help that happen, and to share this other part of my life with them.  luckily, todd had called up and was heading out on new years eve, starting at 5am, to help his friend milt attempt to climb 57 routes on his 57th birthday (this is now something i may have to start doing.  if i begin now, i may be able to actually do 57 by the time i am 57).  they were going to be climbing in indian cove, a beautiful, wind-sheltered bowl in the northern part of joshua tree, isolated from the rest of the park by a rugged, almost uncrossable (there are no trails that go through it), wilderness called the wonderland of rocks.  indian cove is thus enclosed by 300 degrees of gorgeous, towering, rockpiles.  there are hundreds of formations, with hundreds of routes, all within short hiking distance.



thanks to todd gordon and gina barrera for the photos.

we showed up on saturday morning, met john as well, and got to join the team of supporters, who were stringing ropes and preparing routes so that milt could just hop from climb to climb on his mission.  while it was already amazing just getting to be out in the park and climbing a ton of routes with such a good crew of friends, by far the best part was when todd offered to get steve up on the rocks.  there was a slight (but only really slight) hesitation (or maybe it was just politeness), at first.  but as soon as todd began digging shoes out of his bag and taking off his harness to offer it up, steve was agreeing to get on that rock in a heartbeat (not that i was, and obviously neither was ruth, surprised).  he climbed right up onto the rock as i belayed, and as ruth proudly looked on.  it was freaking amazing.  being out there with the two of them made me one damn happy gal.

it was pretty ironic because the night before, they had invited me up for a yummy ruth dinner, and to watch a documentary about climbing that had showed up in their netflix queue.  it was called vertical frontier, and told the history and legendary evolution of climbing in yosemite, narrated by tom brokaw, and featuring commentary by a whole ton of famous climbers.  yosemite, and especially the free climbers who now populate its soaring walls (they solo climb without any protection at all), seems to be the highlight of news attention lately, with feature articles in national geographic and highly-rated segments airing multiple times on 60 minutes.




that movie night had capped off what was actually quite an exciting day for steve & ruth, and me included.  we sold a piece to a couple that day, which steve and i had been working on since thanksgiving, and which we are nearly (but not yet) finished with.  the couple has apparently been dreaming of owning one of steve’s pieces for at least two years now, and had come by during the art tours back in october, eyeing the raven kinetic (my favorite), which had unfortunately just sold to another family.   they had visited steve & ruth and the studio multiple times since then, and finally fallen in love with our newer piece, the hummingbird.  it has two big stainless steel forms (one “driftwood” bird form, and one circular form), each with 4ft long veins to catch the wind, which are mounted atop two different bearings on an 8ft steel mast.  at the base of the mast, where it joins the rock it is mounted on, we welded an endless screen with hidden climbers (remember the recent piece with the climbers on the copper blocks?), who scramble and throw themselves up over the stone and a foot or so up the mast.  we put the patina on the whole thing just before i left for the holidays, which was as exciting a process as ever to watch the colors transform and come alive.






while i was gone, cherishing a precious week spent celebrating (three separate times!) with family (and generally eating way too many sweets for my own good), steve essentially finished the piece.  not completely, but enough that my naïve, refusing-to-face-the-future self was totally surprised!  i was of course selfishly sad, at first, but soon came to appreciate how amazing the process is regardless, and how interesting to step back for the first time, and see how it came together in steve’s brain.  and of course ruth’s brain too… because the discussions, debates, and honest feedback along the way are all amazingly integral (and really some of the most enjoyable components) in how a piece such as that evolves.

when i flew back east this time, i flew out of vegas instead of LA.  best decision yet.  i traded 2 (or 3, or 4 with traffic) hours of smog-filled, sprawl-flanked driving for 3 (or 3.5, or 4 because i had to pull over so many times) hours of spilling across an epic mojave desert at the end of the world.  on the way to vegas i drove at about 11pm… in the pitch black.  i don’t think i have ever experienced darkness like that before in my life.  i drove for hours, literally, without seeing a single light.  the stars were so incredible i had to stop the car multiple times.  it was absolutely amazing.  and all the more bizarre to emerge on the other side of the desert to a scene that could not be a more polar opposite.  really… hard to imagine a starker contrast than the mojave desert and the city of las vegas.  especially at nighttime...

but just as exciting (and probably more) as the drive to vegas was the drive home…. this time in the daylight.  and better yet, as the sun was preparing to go down.  i drove through amboy, california…. a deserted, 7-building town where the horizon was blue and the earth glowing red, and roy’s motel café called your name from miles away.  and as the sun finally went down, i was hurtling through beautiful, desolate, windswept salt flats, and then…. with the last bit of light (i literally couldn’t have timed it better), i passed through wonder valley.  man, it was a hell of a way to come back to my desert home.


















we spent the week putting finishing touches on the hummingbird and working on the newest piece which i am most excited about!  yes, i realize i say this every dang time, but so far, i truly mean it.  although i guess i won’t jinx anything yet, and will keep my mouth shut for the time being.  the piece has only just begun.  you’ll get some pictures of the progress soon…

so then the new years weekend rolled in before i knew it, and two days of incredible climbing in the park gave way into evenings of total chaos... 

i was at pappy’s all night saturday and sunday, squeezing through hoards of heavily-boozed desert revelers to deliver the jars of tequila and plastic cups of champagne that would keep the party rolling long into the morning.  we closed pappy’s from 3-6pm (totally unheard of) on new years eve to set up for the evening.  we shuffled rental tables, lit the oil lantern candles, hung streamers and sparkly tiaras, and were briefed on our “fancy” new years menu (meaning lemon rosemary glazes replaced woodsmoky bbq rubs).  it was a brief, but welcomed, calm before the storm… and we capped it off by toasting shots of tequila before we swung open the heavy wooden doors to the line of cowboy boots and sequined jackets waiting eagerly outside the windows.












the dancing started well before the band even went on, we ran out of wine glasses and shot glasses and pitchers and prime rib, and we couldn’t even stock alcohol fast enough for how quickly it was disappearing.  but thankfully we had more than enough bottles of cheap champagne for the midnight toast…. enough even to have leftovers to spray all over the crowd as they cheered and kissed their way into 2012.  i didn’t leave until after 3am, and i cleaned up more broken glass than i knew was possible to create.  but when i finally walked out the back, through the dusty open-air beer garden, past the smoldering bonfire, and sat down in the seat of my car, the quiet was finally, and miraculously, all around me.  i rolled down my windows and drove extra slow down the cherished canyon road home…. weaving my way amidst silhouettes of rock piles and joshua trees against the blackened starry sky.  i was thinking back to how truly incredible the day was, spent in one of the most beautiful coves of the park, on one of the most beautiful days of the year, getting to climb and be with the people i love most out here.  in many ways, they have become family to me, and this place, clearly a home.  given that i had to be 3,000 miles away from the rest of the people i love most, it was one of the best new years i could have imagined.


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